Sorry it took me a while to get back to you all about the sources for my 15th century outfit from the last post. In fact, after this post, I'll be quiet for a bit. We're entering the slower event season for this area, so I'm going to be taking a break from the SCA for the rest of this month as well as next month. I've got some mundane things that have been piling up that I need to focus on for a while. But I still have some projects to work on before the next event, so when I get started on those I'll check back in.
So, I wanted to share with you some of the bits and pieces I used to come up with my finished 15th century working class outfit. Most of research started by looking at completed outfits by other folks, and getting an idea of what I thought I might like. These included:
Marie Chantel Cadieux's front laced kirtle and
Matilda La Zouche's short-sleeve kirtle
Then in October of last year, I attended a day of lectures by medieval fashion historian Robin Netherton. In her lecture on the Gothic Fitted Dress, she made mention of the fact that the open front variety is not seen on most women- only those in distress or on girls. Her information was both informative and inspirational. The best thing that I took away was the confirmation that the underdress made a huge difference. Under my lovely teal wool is a slightly less lovely underdress doing the job of keeping myself in place.
Robin had great information about the fitting method, but it was Tasha Kelly McGann's Le Cotte Simple site and Charlotte Johnson's Costly Thy Habit that I found really valuable.
I was also interested in Marie Chatel Cadieux's open hoods. Looking for further information, I discovered Lia de Thornegge's open hood, and decided to make one. Marie did such a great job pulling images together, so I won't worry about adding any here.
As far as period sources for the dress goes, the 1432 manuscript of Le Decameron is a great source, as well as the dresses listed under "Kirtles" on Hope Greenberg's 15th Century Dress page.
I used a million other sources along the way, including other recreations and random finds of period images, but these are the things that got me started.
I'll be making another fitted dress next, a black linen dress with a lavender lining. There are a few minor adjustments I need to make, but overall I now have a dress pattern that works much better than my previous dresses and make a huge difference in making me feel that I am doing more to be authentic.
So, enjoy the autumn, and I'll "see" you again in December!