Ten years ago, I didn't really know how to sew. I also didn't know much more than the basics about late medieval clothing. When I look back, it's actually pretty shocking to have learned so much in a mere decade, but I can also see that it wasn't by accident. Everyone's journey in their craft is different, and it's important to understand and accept that not every road leads to somewhere exciting, but improving in your chosen art or craft comes with some pretty important standard procedures. Today I'd like to do my best to walk through the ones that help me.
Pick a Direction
There's something to be said about spending time and energy wandering and testing the various waters. In fact, I think this is a useful phase for everyone to go through, preferably early in their craft "career". Wandering aimlessly allows us to be inspired by different things and begin to learn about what's possible, and that's a really important first step. But it can't be a permanent state if you want to actually get good at anything.
If you want to improve, it's important to identify in which direction to want to grow. It can be a general idea or something specific, or it can be a combination of things, but the key is to stop and say "I'm ready to work toward the next level here." The beauty of "Arts & Sciences" is that it's a really deep and wide pool. You can start in on one thing that looks, sounds, or feels like a good and interesting fit for you, and six months later, you can find that you've moved in a direction you could not have predicted. However, the most important part is that you started somewhere and went with it for a bit.
I think it's also a good idea to be open to your passions. I like to keep lots of notes, and every so often, I make big lists of things that are on my mind- projects I started but haven't finished, ideas for new projects or research avenues, general things that I find interesting. These notes provide a road map for me, so if I decide to go in one direction that feels really exciting and I have a passion for, and it turns out to be a dead end, I can look back and not be lost on what other directions I could have gone.
Aptitude is Not Expertise
I'm going to try making this point with personal allegory. It turned out that when I started sewing, I was pretty good at it. I had aptitude for hand sewing, and being swift and accurate with needle and thread came naturally to me. I was not, however, skilled at hand sewing. I didn't actually know techniques, or when to do one type of sewing over another. I didn't know anything about thread types or needle sizes, or seam finishing. I didn't understand the value of craftsmanship. I didn't KNOW anything. Which meant that my natural talent for hand sewing was merely an opportunity, not an automatic pass to expertise. I've spent the past 10 years refining that natural talent into skilled talent by being open to evaluating the things I can do without trying too hard, and recognizing that they could be better if I put my ego aside and learned more.
Which leads directly into the next point:
Evaluate Your Progress
There are a few different ways to check your progress. You can ask for others in your craft to take a look and give you honest feedback, you can participate in low-key craft displays that allow others to come and chat with you and help you get a handle on what you may or may not know, or you can enter a judged faire that gives you scoring or specific critiques based on set standards. These are all valid. However, don't sell your own evaluations too short.
There's an axiom in creative endeavor- the artist is their own worst critic. While this is often leveraged as a way of helping artisans not get too down on themselves regarding their skills and creations, it's also a powerful force that shouldn't be entirely written off. The bottom line is that you are your own worst critic because you understand more than anyone else what you know, where the gaps in your knowledge fall, and what you're potentially capable of. I've written about this in the past- the difference between being a harsh critic and giving useful critique- and I absolutely believe that evaluating ourselves is an essential part of growing in our skill.
I like to do my evaluations with three questions: What are my initial thoughts on how I did, what do I see as things that didn't work, and what are my final thoughts taken all together? From these questions, I'm armed with some things to take into the next project with me- things I want to improve, but also things I'm already doing well and I don't want to get lazy about.
A phrase I love for this portion of improvement is to "fail forward". When something doesn't work, understanding why or how allows you to move forward into the next thing better equipped to not fail on that thing again (or, at the very least, to fail less spectacularly.)
Regardless of your art or craft, or how prolific or productive you are, in order to gain knowledge and skill, you need to be working on things. Sure, you can read books or watch videos, or browse blogs, but until you put knowledge and action together, you aren't going to improve. (Not to say that "action" has to be MAKING something- action could just as easily be writing something out or putting a class together.) There are specific kinds of projects, however, that are going to be the most useful to growth- those that introduce skills, and those that allow you to iterate.
Personally, I have other crafts inside the SCA, as well as mundane hobbies that I can tap into when I need that break from my big topic of interest, and just ride that other interest until I'm ready to come pick back up where I left off with the big one. Even if you aren't applying action to your primary craft, do your best to not lose sight of it or of the wide range of things that interest you. Also, even if you reach milestones, such as public recognition or big goals you set for yourself, recognize that improvement never has an end, and there's always somewhere else you can go to keep getting better.
No comments:
Post a Comment